Search results | digital.library.yorku.ca

Title: [Cartier] - [Montreal] 1556
Description: Item consists of a photographic slide with annotations including: "Jacques Cartier Voyage of 1535-36 Hochelosa," "In Italian book - 1556 by Romusio."
Type: projected graphic
Fonds: John Warkentin fonds (F0184)
Accession / Box: 2009-029 / 003 (03)
Date: 1556
Identifier: ASC16299
Identifier (PID): yul:276442

Title: [Marchant family : ] 3 J.P Birthday 1 year Old 1976
Description: "Project and donor(s) contributed description follows: ""These clips show episodes from Jean-Pierre Marchant’s childhood in the mid-1970s Montreal. His parents were immigrants, recently arrived from Argentina and Chile. Throughout Jean-Pierre’s childhood, they documented the family’s life with a Super 8 camera (and would later switch to video). These clips depict him as a playful child, trips, and well-attended birthday parties. Looking back, Jean-Pierre recognizes that these parties were a big opportunity for the adults to get together and celebrate. The Marchants mostly socialized with people from similar backgrounds, and Jean-Pierre says that “it was important for my parents, who were trying to make a life in a new place, to associate with others who spoke their language."""
Type: video files
Fonds: Home Made Visible collection (F0723)
Accession / Box: 2018-040 / 001 (03)
Date: 1976-1978
Identifier: 2018-040 / 001 (03)
Identifier (PID): yul:1150717

Title: [Marchant family : ] 3 J.P Birthday 1 year Old 1976
Description: "Project and donor(s) contributed description follows: "These clips show episodes from Jean-Pierre Marchant’s childhood in the mid-1970s Montreal. His parents were immigrants, recently arrived from Argentina and Chile. Throughout Jean-Pierre’s childhood, they documented the family’s life with a Super 8 camera (and would later switch to video). These clips depict him as a playful child, trips, and well-attended birthday parties. Looking back, Jean-Pierre recognizes that these parties were a big opportunity for the adults to get together and celebrate. The Marchants mostly socialized with people from similar backgrounds, and Jean-Pierre says that “it was important for my parents, who were trying to make a life in a new place, to associate with others who spoke their language.""
Type: video files
Fonds: Home Made Visible collection (F0723)
Accession / Box: 2018-040 / 001 (04)
Date: 1976-1978
Identifier: 2018-040 / 001 (04)
Identifier (PID): yul:1150718

Title: [Marchant family : ] 3 J.P Birthday 1 year Old 1976
Description: "Project and donor(s) contributed description follows: "These clips show episodes from Jean-Pierre Marchant’s childhood in the mid-1970s Montreal. His parents were immigrants, recently arrived from Argentina and Chile. Throughout Jean-Pierre’s childhood, they documented the family’s life with a Super 8 camera (and would later switch to video). These clips depict him as a playful child, trips, and well-attended birthday parties. Looking back, Jean-Pierre recognizes that these parties were a big opportunity for the adults to get together and celebrate. The Marchants mostly socialized with people from similar backgrounds, and Jean-Pierre says that “it was important for my parents, who were trying to make a life in a new place, to associate with others who spoke their language.""
Type: video files
Fonds: Home Made Visible collection (F0723)
Accession / Box: 2018-040 / 001 (05)
Date: 1976-1978
Identifier: 2018-040 / 001 (05)
Identifier (PID): yul:1150719

Title: [Marchant family : ] 3 J.P Birthday 1 year Old 1976
Description: "Project and donor(s) contributed description follows: "These clips show episodes from Jean-Pierre Marchant’s childhood in the mid-1970s Montreal. His parents were immigrants, recently arrived from Argentina and Chile. Throughout Jean-Pierre’s childhood, they documented the family’s life with a Super 8 camera (and would later switch to video). These clips depict him as a playful child, trips, and well-attended birthday parties. Looking back, Jean-Pierre recognizes that these parties were a big opportunity for the adults to get together and celebrate. The Marchants mostly socialized with people from similar backgrounds, and Jean-Pierre says that “it was important for my parents, who were trying to make a life in a new place, to associate with others who spoke their language.""
Type: video files
Fonds: Home Made Visible collection (F0723)
Accession / Box: 2018-040 / 001 (02)
Date: 1976-1978
Identifier: 2018-040 / 001 (02)
Identifier (PID): yul:1150716

Title: City of Montreal : map of central portion
Description: This is a base map of the City of Montreal from the 1940s. It shows major streets, buildings, and points of interest, and includes commercial ads around the border.
Type: Maps
Date: [194-?]
Identifier: 3484/M6/A15/-/[194-]
Identifier (PID): yul:1150952

Title: Valcin 9 [ : Montreal 1971 snow storm]
Description: Video recording from 1971 consisting of a Haitian family and their neighbours shovelling snow and digging out the street. Recording also features children playing in the snow and a tracker snowplowing the street. Project and donor(s) contributed description follows: "On March 4th, 1971, Montreal saw the “Storm of the Century”, a massive snowstorm brought 43cm of snow and 100/km winds to the city. It would take 41 years for this snowfall record to be broken. People lost electricity for as long as ten days. Nadine recalls living on St. Leonard and not being able to see through her patio doors and that the only people who could get around were emergency vehicles and snowmobiles. Of course this major setback meant snow days for everyone, and Nadine’s parents and neighbours got to shovelling. In a predominantly Italian neighbourhood, Nadine suspects her family may have been the only Black family on this street. With no school, five-year old Nadine took pleasure in the Montreal pastime of building snow forts."
Type: video file
Date: 1971
Identifier: 2018-028 / 001 (02)
Identifier (PID): yul:1149820

Title: The Feminist Porn Archive Project: Questions from a Working Ontologist
Description: Feminists have long been concerned by archival silences and their impact on memory. Most reclamation work has been about uncovering the buried or lost records of women and inserting interpretations of such material inside broad social, political, cultural and historical narratives. Archivists and librarians also create new and sometimes exciting juxtapositions of archival material that allows for radical recontextualizations of womens’ cultural and political contributions. Archival work at every stage is thus a process of transforming private documents into public testimonial. However, in the creation of women’s archives inside institutional archives using traditional archival principles, we replicate neoliberal ideological formations by emphasizing the individual subject and focusing on the records of primarily white straight women of privilege. How might we instead use the new archival media of the Internet to explore feminist theoretical emphases on collectivity, intersubjectivity, intersectionality, and the affective relations of care, desire and intimacy? How do we prevent subjectivity and meaning from being fixed into place but allow for more slippery and promiscuous plays of meaning in a public feminist archive? How might we reboot the archives of women through digitization, and also provoke feminist rethinkings of the technologies of archivization? Linked open data can be viewed as a deeply post-structuralist response to the nomological principle of authority and commandment of the traditional archive and offers us a generative, erotic commingling of information which resists fixity and hierarchy and focuses instead on relationality. In this paper I will speculate about how a feminist porn archive can, through linked data spatializations and their attendant onotologies, offer new ways of thinking about the archive and the archival-able.
Type: videorecording
Identifier (PID): yul:770322