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Title
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Student Centre, 1984-1992
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Description
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Image of a group of five young men standing and sitting behind a table during the 1984 Multicultural Festival. Their table is underneath a large banner that says "Singaporean Students Assoc." Posters on the walls containing text about Malaysia, and photographs of the country, may be seen on the wall behind the men.
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Type
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nonprojected graphic
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Fonds
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Excalibur Publications Inc. fonds (F0502)
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Accession / Box
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2004-030 / 008
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Date
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1984
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Identifier
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ASC17498
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Identifier (PID)
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yul:261160
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Title
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Oppose apartheid racism button
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Description
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Image consists of one round, yellow, metal button. In the background is an outline map of Africa with South Africa coloured in red. Five line of black text appears over the map of Africa. The first line reads: "Oppose". The second line text reads:"Apartheid racism". The third line bold, uppercase text reads:"Boycott". The fourth line text reads:"South African". The fifth line text reads:"Products".
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Type
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tactile material
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Fonds
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Jean Augustine fonds (F0515)
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Accession / Box
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2007-022 / 120
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Date
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[198-?]
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Identifier
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ASC17637
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Identifier (PID)
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yul:248778
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Title
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Freedom rider button
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Description
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Image consists of one square, red, metal button. At the centre an image of an outline of a Canada map in white. White, bold text reads:"'88" on the map. Above the map of Canada in white, bold text reads:"Freedom rider". Below the map of Canada in white text reads:"Against apartheid".
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Type
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tactile material
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Fonds
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Jean Augustine fonds (F0515)
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Accession / Box
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2007-022 / 120
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Date
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[198-]
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Identifier
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ASC17644
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Identifier (PID)
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yul:248785
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![National Topographic Series (scale 1:125,000) : Manigotagan Lake, Manitoba-Ontario [sheet 52L/NW]](/yul-1151414/national-topographic-series-scale-1-125000-manigotagan-lake-manitoba-ontario-sheet-52lnw/datastream/TN/view)
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Title
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National Topographic Series (scale 1:125,000) : Manigotagan Lake, Manitoba-Ontario [sheet 52L/NW]
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Description
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A topographic map of Manigotagan Lake, Manitoba-Ontario, sheet 52L/NW, at a scale of 1:125,000. Relief is shown by contours and spot heights. It also shows roads, highways, railways, boundaries, main buildings, and waterways.
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Type
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Maps
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Date
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1970
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Identifier
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G/3400/125/52L/NW
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Identifier (PID)
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yul:1151414
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Title
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Folk Concert : Chris Rawlings
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Description
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Item consists of a concert featuring Chris Rawlings and Gilles Losier performing "Soup du Jour", "Butterfly Children", a song about Henry Hudson, Losier performing a traditional canoeing song (with Rawlings on the recorder), Rawlings performing "Golden Rocket" (Hank Snow), "The Log Driver's Waltz" (Wade Hemsworth) (with accompaniment from Losier), "Chibougamau Boogaloo" and "The Pearl River Turnaround". Concert was performed at the Mariposa Folk Festival on 23 June 1974 from 13:00 to 13:30 on the Area 6 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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23 June 1974
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Identifier
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ASC006033
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Identifier (PID)
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yul:61271
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Title
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Concert: Boys of the Lough
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Description
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Consists of concert performance by Boys of the Lough of traditional Irish, Scottish (specifically Shetland and Northumbrian music.) Songs include: "The Boys of the Lough", "Slanty Gart" aka MacDonald's Reel, "The Laird of Drumblair" (strathspey), Northumbrian pipe tunes (?), "For He Is Such A Bonny Lad" and "Salmon Tails Up The Water", "The Devil And The Bailiff" (slip jig), "The Winnie Hills Of Leitrim" (slip jig), "Ryan's Slip Jig" "Jack Broke The Prison Door" (reel) a couple of whistle tunes, "Twisting of the Rope" aka "Casadh an t'Sugáin" and an untitled mazurka. Concert was performed at the Mariposa Folk Festival on 20 June 1975 from 12:30 to 13:30 on the Area 3 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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20 June 1975
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Identifier
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ASC006562
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Identifier (PID)
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yul:72191
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Title
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Concert: Angele Arsenault and Les Danseurs du St. Laurent
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Description
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Item consists of performance by Angele Arsenault accompanied by Les Danseurs de St.Laurent. Includes "P.E.I.O.", her song about growing up in P.E.I. (to the tune of "Old MacDonald Had A Farm"), followed by "Toc-toc, Toc-toc-toc-toc", a song she wrote for TVOntario and "I Want To Leave My Name". She nexts sings "L'Homme et la femme", and includes a commentary on how women are viewed and treated in society. Her next song, "Le monde de par chez nous," is self-composed and discusses the confusion with Acadian last names, sung in French, no title is provided. Written by Angele Arsenault one week prior, she also performs a song with a serious meaning "Women are Beggers", raises issues of women begging for equality, freedom, humanity, children and the poor. This is followed by a song made up of words of Mi'Kmaq sounds, "Vishten" (arr. by her father, Arthur Arsenault) which is performed in both French and English. Angele Arsenault concludes with a French song entitled "Maman, Maman". Les Danseurs du St. Laurent begin with instrumental performance, with Philip Brueanu on accordion and Yvan Brault on piano. Performance of "Les Cautin?" from the Vie Saint Catherine Regio, instruments include accordion and piano followed by a song and dance "La Plus Belle de Sairent". Continued with "La Caderie de Whisky" from the lower Saint Laurent region. Each geographic region has its own style of dance, this dance is based on the sailors who sailed the seven seas; a melody of jigs called "Les Jig des Gars et Les Jig des Filles, Les Jig Tout Monde". The next performance, French vocals (French) no titled given. Phillip Brueanu plays a march from 1900 on the small accordion. Dance performance from the Lac Saint Jean region called "Le Brandy du Lac Saint Jean" accompanied by fiddler Jean Carignan. From the same Lac Saint Jean region comes a dance performance tittled "L' Aurais la Neuf" followed by "La Caduses" which is a form of weaving. From the Montreal area after the first world war, presents a performance entitled "Les Waltz de Montreal?" followed by a performance from the north west part of Quebec, the Pontiac region (lumber jack) called the "Irish Jig", followed by the final dance and musical performance titled "La Belle Catherine" from the eastern Quebec area and a good bye and thank you song. This concert was performed at the Mariposa Folk Festival on 21 June 1974 from 20:00 - 21:00 on the Area 6 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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21 June 1974
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Identifier
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ASC006572
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Identifier (PID)
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yul:72200
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Title
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Workshop : Slide Guitar with John Hammond and Dave Essig
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Description
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Consists of audio recording of slide guitar workshop with John Hammond and Dave Essig performing "Midnight Lover" (?) and "Hand Me Down My Walking Cane" (trad.). They also answer questions from the audience and then Essig sings "Ain't it Grand to be a Christian" (Blind Willie McTell) and Hammond then performs "I Can't Be Satisfied" (Muddy Waters). Also consists of Essig performing "Cannonball Blues" (Leslie Riddle), Hammond performing "T'aint Long Fore Day", aka "Big Star Falling" (Blind Willie McTell), Essig performing "Mean Old World" (trad.), Hammond performing "Terrapan Blues" followed by a period of taking questions from the audience. Essig resumes by performing "Come on in my kitchen" (Robert Johnson), followed by Hammond performing "Blues walked in" (?), Essig performing a combination of "Jailbait" and "Jubilee" and Hammond concluding with "Hellhound on my trail" (Robert Johnson). Workshop was performed at the Mariposa Folk Festival on 23 June 1974 from 11:30 to 13:00 on Area 6 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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23 June 1974
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Identifier
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ASC006030
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Identifier (PID)
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yul:61264
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Title
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Workshop : Islamic Music
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Description
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Item consists of a recording of the Islamic Music Workshop, hosted by Leigh Cline, featuring George Sawa on qanun, Ebrahim Eleish and Hannah(?) on drums, who together perform two song suites. One is titled "My Love". Next there is a performance by a Arabic Folklore Dance Group who perform four dances, introduced by Abraham (last name unknown). The troup are accompanied by recordings of songs by Fairuz (not present at festival) including "The Dance of Lebanon", "Our Sailors Are Coming", "The Hunters are Coming" and "The Stumbling of Your Feet". Next Leigh Cline introduces two Turkish performers, Ahmet [Candan?] on saz (a long-necked lute) and darbuka (a drum) Mahmet [Ali Ulatash?] on zurna (a wind instrument), who perform several instrumental folk songs from Turkey. Next all the workshop performers play a dance style Çiftetelli, or a belly dance song. The workshop was held at the Mariposa Folk Festival on 23 June 1974 from 11:30 to 13:00 on the Area 6 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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23 June 1974
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Identifier
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ASC006032
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Identifier (PID)
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yul:61268
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Title
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Workshop : Islamic Music
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Description
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Item consists of a recording of the Islamic Music Workshop, hosted by Leigh Cline, featuring George Sawa on qanun, Ebrahim Eleish and Hannah(?) on drums, who together perform two song suites. One is titled "My Love". The workshop was held at the Mariposa Folk Festival on 23 June 1974 from 11:30 to 13:00 on the Area 6 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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23 June 1974
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Identifier
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ASC006032
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Identifier (PID)
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yul:61275
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Title
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When Does it Become a Folk Song?
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Description
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Consists of a workshop "When Does It Become a Folksong?" featuring Elizabeth Cotten telling the story of how she was inspired to write the song "Freight Train", Mary McCaslin performing "Music Strings" and "Hollywood, My Home Away From Home on the Range", Carlos Valladares performing "Casamiento de negros" (Violeta Parra), John Allan Cameron performing "The Bonnie Lass o' Bon Accord" (James Scott Skinner), Elizabeth Cotten performing an unknown song., Mary McCaslin performing "Let It Be Me" (Gilbert Becaud (music), Mann Curtis (lyrics)), Carlos Valladares performing "Naranjitay" ("Little Orange", traditional --Bolivian), John Allan Cameron performing "Ann", Elizabeth Cotten performing "Gaslight Blues", Mary McCaslin performing "Blackbird" (Paul McCartney). Next the groups sings "The Lone Pilgrim" (trad.) sung a cappella; a parody of "Drink to me only with thine eyes"; "Believe Me If All Those Endearing Young Charms", and "Rock of Ages". Also includes Lloyd Gavin performing the lumber camp song "Young Monroe at Gerry's Rock" aka "The Jam on Gerry's Rock" (trad.); an unknown performer singing "Crazy Mary (from Londonderry)" (Michael Smith) and finally a performance (by Ken Bloom) of "The Pilgrim's Progress." The workshop took place on at the Mariposa Folk Festival on 21 June 1974 from 10:00 to 12:00 on the Area 1 stage.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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21 June 1974
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Identifier
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ASC006559
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Identifier (PID)
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yul:72188
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Title
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The Big Songs
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Description
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Item consists of audio recording of Enoch Kent hosting a workshop formed around the idea of big songs, referring to longstanding ballad or story traditions within songs and beginning with Kent performing "Willie's Rare" (trad.), Margaret McArthur performing a ballad entitled "The Fair Maid by the Shore" (trad.), Margaret Bennett Knight discussing the genre of Ceòl Mòr (Gaelic for "Big Music") and performing an example song. The recording is interrupted from 17:05 to 17:24 by a high-pitched frequency. The workshop concludes with Buell Kazee performing "The Wexford Girl" (trad.) and Michael Cooney performing "O, I Forbid You Maidens All" (Sir Walter Scott). Also consists of Enoch Kent performing "The Sheffield Apprentice", Margaret Bennett Knight performing "Great Falls (?)" and "My Fair Young Love" (trad.), Buell Kazee performing "The Lady Gay" (aka "Three Little Babes" or "The Wife of Usher's Well") (trad.), Michael Cooney performing "Four Nights Drunk" (trad.) and discussing the renaming of folk songs over time and performing "Our Good Man" (trad.), Enoch Kent performing "?" and Margaret McArthur performing "Mr. John Bunt" (trad.).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Date
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22 June 1975
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Identifier
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ASC06540
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Identifier (PID)
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yul:72167
