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- Search results
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Title
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Mariposa Folk Festival 1973 program
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Description
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Item consists of the 52 page Mariposa Folk Festival program for 1973, held on the Toronto Islands, Toronto, Ontario from 6-8 July 1973. The program was designed and edited by Richard Flohil and Marna Snitman. Program includes an illustrated schedule of evening and day concerts and workshops, a listing of performer biographies, as well as an auditor's report for the festival foundation. Also includes articles, including, "Performers from Toronto ethnic groups play a special part in Mariposa" by Flo Hayes and "Crafts and craftsmen at the Festival" by Sykes Morrison.
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Type
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Books
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Accession / Box
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2007-009 / 102
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Date
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1973
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Identifier
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ASC41375
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Identifier (PID)
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yul:1123850
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Title
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Folk Fun and Games for Children of all Ages
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Description
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Item consists of an audio recording of Rick Avery introducing the workshop that encourages children to have fun with folk songs. Bram Morrison begins the workshop by teaching the children the song"Green Grass Grew All Around" followed by Rick Avery instructing the children to sing "George Washington Bridge", Chick Roberts performing "Uncle Roon's Gotta Coon(?)", Sharron Hampson performing "Bingo" with the audience clapping along, the entire group along with the audience performing the harmony song "A Symphonic Variation (The Violins Play Along)" (Brothers Four), followed by "My Bonnie Lies Over The Ocean" (trad.). A child performs her own version of the song and they all sing along. Bram Morrison performing "Oh What A Merry Land Is England" (trad.) but changing the words to include various nursery rhymes, Sharron Hampson and the whole group performing "One Finger, One Thumb", Rick Avery instructing the children to sing a harmony combining "Three Blind Mice", "Frere Jacques" and "Row Row Row Your Boat". Also includes Rick Avery playing "Lion Hunt" with the children and then the group performing "Father Abraham", Sharron Hampson teaching the children "Come Little Rabbit"and Chick Roberts organizing and playing the "I See A Bear" game.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72206
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Title
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Biculturalisim in Folklore with Chris Rawlings
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Description
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Item consists of Gilles Losier discussing the necessity of biculturalism in the development of folklore and he begins by explaining the origins of square dancing and contra dancing followed by a group medley performance combining "A Saint Malo, Beau Port de Mer" and "The Four Poster Bed". Margaret Bennet Knight(?) singing "The ? of the Cloth", Chris Rawlings performing a Louisiana dance titled: "Calinda" and Angele Arsenault performing "A Soldier and a Sailor". Gilles Losier goes on to tell a humorous anecdote to exemplify the way English and French are mixed in Canada. Chris Rawlings plays an Andean piece on the penny-whistle. Gilles Losier performs "I went to the market (Mon p'tit pannier sous mon bras)", Margaret Bennet Knight(?) sings a lament in Gaelic, Chris Rawlings performs "On the Road to Old Grand-mere", and Angele Arsenault performs "I Want To Leave My Name" Also includes Chris Rawlings performing "La Chanson de Vieux Montreal" (Rawlings), Gilles Losier playing two fiddle tunes that were adapted from Scottish bagpipe songs, Margaret Bennet Knight performing a Gaelic dance (a cappella) followed by Chris Rawlings (with unidentified person) performing the Louisiana song "Mon Coeur Me Fait Mal" (trad.).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72203
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Title
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MITS Presents: Intro. to Folk music for children
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Description
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Item consists of audio recording of Mariposa In the Schools: Introduction to Folk Music for Children workshop hosted by Rick Avery in which the participatory tradition of folk music is emphasized. Bram Morrison teaches the audience a song about a goat using the "lining out" technique. Rick Avery discusses innovative approaches to makeshift instrumentation and explains "cheek music" to the audience, demonstrating how it's done. Chick Roberts shows the audience various approaches to using one's hands for percussion. Sharon Hampson illustrates to the audience how to use the spoons, followed by a demonstration by all the musicians combining all techiques discussed. Rick Avery explains the different ways of using ones voice and singing a cappella. Sharon Hampson singing an "Eskimo" lullaby. Bram Morrison teaches the audience an Iroquois lullaby. Ken Whiteley performs a work song "Long John" (trad.) with the audience clapping and singing along. Sharon Hampson sings a tall tale called "The Frozen Logger" (James Stevens). Rick Avery performs the tall tale "Darby Ram" (trad.) followed by Chick Roberts performing a different version of the same song and then Rick Avery singing yet another version. Ken Whiteley explains that there is no "right way" to sing a song and then the group performs "Groundhog" (trad.) Rick Avery explains how to manipulate instruments to make them sound like other things. They play a fiddle to sound like a train and a banjo to sound like a chicken. Chick Roberts plays the harmonica to sound like a train and then Bram Morrison uses a guitar as a drum and Avery plays a penny whistle. Ken Whiteley performs "Reuben's Train" (trad.). Sharon Hampson sings the Canadian song "The Girls of Ontario" (trad.) and Chick Roberts performs an urban song from the 1890s about draft-dodging with the audience skatting along, titled: "When the War Breaks Out Down in Mexico" (J. Brandon Walsh), and "The Saskatchewan Song" (trad.). Ken Whiteley sings "The Vegetable Song (the Barnyard Dance)" (Martin, Bogan and Armstrong). Rick Avery performs "The Black Fly Song" (Wade Hemsworth), Chick Roberts explains the concept of the "rent party" and selects some children from the audience to play the jug, the washboard, sandpaper, the kazoo, the slide whistle and the shaker. He sings "The Boodelam Shake"?
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72201
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Title
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Concert: Angele Arsenault and Les Danseurs du St. Laurent
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Description
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Item consists of performance by Angele Arsenault accompanied by Les Danseurs de St.Laurent. Includes "P.E.I.O.", her song about growing up in P.E.I. (to the tune of "Old MacDonald Had A Farm"), followed by "Toc-toc, Toc-toc-toc-toc", a song she wrote for TVOntario and "I Want To Leave My Name". She nexts sings "L'Homme et la femme", and includes a commentary on how women are viewed and treated in society. Her next song, "Le monde de par chez nous," is self-composed and discusses the confusion with Acadian last names, sung in French, no title is provided. Written by Angele Arsenault one week prior, she also performs a song with a serious meaning "Women are Beggers", raises issues of women begging for equality, freedom, humanity, children and the poor. This is followed by a song made up of words of Mi'Kmaq sounds, "Vishten" (arr. by her father, Arthur Arsenault) which is performed in both French and English. Angele Arsenault concludes with a French song entitled "Maman, Maman". Les Danseurs du St. Laurent begin with instrumental performance, with Philip Brueanu on accordion and Yvan Brault on piano. Performance of "Les Cautin?" from the Vie Saint Catherine Regio, instruments include accordion and piano followed by a song and dance "La Plus Belle de Sairent". Continued with "La Caderie de Whisky" from the lower Saint Laurent region. Each geographic region has its own style of dance, this dance is based on the sailors who sailed the seven seas; a melody of jigs called "Les Jig des Gars et Les Jig des Filles, Les Jig Tout Monde". The next performance, French vocals (French) no titled given. Phillip Brueanu plays a march from 1900 on the small accordion. Dance performance from the Lac Saint Jean region called "Le Brandy du Lac Saint Jean" accompanied by fiddler Jean Carignan. From the same Lac Saint Jean region comes a dance performance tittled "L' Aurais la Neuf" followed by "La Caduses" which is a form of weaving. From the Montreal area after the first world war, presents a performance entitled "Les Waltz de Montreal?" followed by a performance from the north west part of Quebec, the Pontiac region (lumber jack) called the "Irish Jig", followed by the final dance and musical performance titled "La Belle Catherine" from the eastern Quebec area and a good bye and thank you song.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72200
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Title
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Instruments as Voice substitutes with Mike Seeger
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Description
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Item consists of audio recording of Mike Seeger hosting a workshop on instruments used to substitute vocals. Includes John Wright performing "The Maid Behind the Bar", Mike Seeger performing "Don't Let Your Deal Go Down", Ken Bloom performing a solo clarinet piece in a New Orleans tradition and demonstrating the bottleneck blues guitar with vocal accompaniment, John Wright performing a Jew's harp solo and explaining different methods of playing the instrument around the world and Patrick Judge performing a a few traditional "pipe songs".
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72196
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Title
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Ceilidh
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Description
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Item consists of an audio recording of a ceildh held at the 1975 Mariposa Festival. Includes performances by Tommy Makem, Owen McBride, Maggi Peirce, Boys of the Lough (including Cahil McConnell and David Jones). All play "The Dingle Regatta" (trad.). Next Tommy Makem performs "The Nightingale" (trad.), Owen McBride performs "Finnegan's Wake" (trad.), David Jones performs "Flying Cloud" (trad.), The Boys of the Lough perform an instrumental piece "Farewell to Ireland" (trad.), Maggi Peirce performs a song "Paddy McGinty's Goat" (Val Doonican). Members of the audience shout out songs, including "Zoological Gardens", but the group performs "Wild Mountain Thyme / Will You Go Lassie, Go" (trad.), "Wild Rover" (trad.). Then David Jones sings "Young Edwin In The Lowlands". The Boys of the Lough then play some reels (not identified). Maggi Peirce then leads a recitation, "The Irish Schoolmaster" (James A. Sidney), which is cut off suddenly before the final verse. The recording picks up again with banter with the audience leading up to a performance of his song "My Father Loves Nikita Kruschev" and then The Boys of The Lough perform a series of reels to lead out the concert, with Makem acknowledging the Frank McArthur (?), a Newfoundland step-dancer. It is assumed that McArthur danced during the last song.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72194
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Title
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Boogies, Foxtrots and Two Steps
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Description
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Item consists of a recording of a workshop focusing on Boogies, Foxtrots and Two Steps, hosted by Ken Whiteley. Beginning with a a piano solo of "Coquette" aka "Little Coquette" (Guy Lombardo?) followed by John Davis performing "Kansas City" (Jerry Leiber Mike Stoller) followed by the Original Sloth Band performing "Honeysuckle Rose" (Andy Razaf (lyrics), Fats Waller). The recording cuts off mid-song.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72193
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Title
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Concert: Boys of the Lough
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Description
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Consists of concert performance by Boys of the Lough of traditional Irish, Scottish (specifically Shetland and Northumbrian music.) Songs include: "The Boys of the Lough", "Slanty Gart" aka MacDonald's Reel, "The Laird of Drumblair" (strathspey), Northumbrian pipe tunes (?), "For He Is Such A Bonny Lad" and "Salmon Tails Up The Water", "The Devil And The Bailiff" (slip jig), "The Winnie Hills Of Leitrim" (slip jig), "Ryan's Slip Jig" "Jack Broke The Prison Door" (reel) a couple of whistle tunes, "Twisting of the Rope" aka "Casadh an t'Sugáin" and an untitled mazurka.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72191
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Title
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When Does it Become a Folk Song?
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Description
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Consists of a workshop "When Does It Become a Folksong?" featuring Elizabeth Cotten telling the story of how she was inspired to write the song "Freight Train", Mary McCaslin performing "Music Strings" and "Hollywood, My Home Away From Home on the Range", Carlos Valladares performing "Casamiento de negros" (Violeta Parra), John Allan Cameron performing "The Bonnie Lass o' Bon Accord" (James Scott Skinner), Elizabeth Cotten performing an unknown song., Mary McCaslin performing "Let It Be Me" (Gilbert Becaud (music), Mann Curtis (lyrics)), Carlos Valladares performing "Naranjitay" ("Little Orange", traditional --Bolivian), John Allan Cameron performing "Ann", Elizabeth Cotten performing "Gaslight Blues", Mary McCaslin performing "Blackbird" (Paul McCartney). Next the groups sings "The Lone Pilgrim" (trad.) sung a cappella; a parody of "Drink to me only with thine eyes"; "Believe Me If All Those Endearing Young Charms", and "Rock of Ages". Also includes Lloyd Gavin performing the lumber camp song "Young Monroe at Gerry's Rock" aka "The Jam on Gerry's Rock" (trad.); an unknown performer singing "Crazy Mary (from Londonderry)" (Michael Smith) and finally a performance (by Ken Bloom) of "The Pilgrim's Progress."
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72188
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Title
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Singaround Lovesongs #2
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Description
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Consists of audio recording of musican Michael Cooney host, introduces and explains the Singaround Lovesongs, which are song swaps where a group of musicians get together and pick a subject to sing about and see how many variations on that topic can be sung. The subject is love songs. He introduces the panel.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72182
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Title
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Singaround Lovesongs #2
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Description
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Consists of audio recording of Singaround Love song with performances by Michael Cooney, Owen McBride, Edith Butler, Enoch Kent, Murray McLauchlan. Host Michael Cooney introduces the topic of Singaround Lovesongs to the audince, which are song swaps where a group of musicians get together and pick a subject to sing about and see how many variations on that topic can be sung. Owen McBride performs a song about a river in Ireland called "The Black Water". A French song not titled which originated from France is performed by Edith Butler (about a woman sitting on the steps of palace and a shoe maker) followed by Enoch Kent playing guitar and singing "The Collier Laddie"(Trad) Murray McLauchlan plays a country love song "Remember me" with the guitar and harmonica? Michael Cooney plays a song accompanied by (he learned it in highschool, part of a trio- serenade the girls in the dorms) guitar, known as his favourite serenade song (language?spanish?), the song is not titled. Owen McBride sings "I am a Rover"and incorporates the audience by teaching them the chorus. Edith Butler performes a song from New Brunswick, an Acadian song "Listening to the song of the middle ark I go to sleep?"( played in pervious performance) guitar and vocals. Enoch Kent perfomes "Boggie's Bonnie Bell" with just vocals no musical instruments, Murray McLauglan follows "Masocistic Baby" written by Shel Silverstein. Michael Cooney performes a song with two references, the rose (love and passion) and thyme, which is referred to as an anti love song, "Blooming Heather". Owen McBride follows with a performance on guitar and vocals entitled "Whisky on a Sunday" the song is about old man who used to play for the cinema line ups; audience interaction as they sing along with the chorus Acadian folk song follows perfomed by Edith Butler called "Marie Enson?" in French, with the next song played by Enoch Kent "I Loved a Lass"(Trad) about un-requited love. British folk song written by John Lennon "Run for your life"is perfomed by Murray McLaughlan. Michael Cooney performs an old english love song about hunting, no song title is provided (harmonica? concertina?). Owen McBride follows with a song about a young couple (married for two years and wife dies) no song title is provided. Enoch Kent sings a tradtional Scottish song "Lay ye doon love" with no instruments, just voicals; audience singing the chours, originally by Old Blind Dogs. Murray Mclaughan follows with "Linda won't you take me in" (traditional). Closing with Michael Conney performing "Irene Goodnight" (tradtional) with others singers singing in the background. (ends in the middle of this song).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72180
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Title
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Concert: Charlie Chin
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Description
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Consists of audio recording of Charlie Chin performing an adaptation of "I've been Working on the Railroad" (trad.) followed by his telling a fable about a man who tries to move a mountain and then performing a song based on the fable (Chris Iijima). He also performs "The War of the Flea"(Iijima), "Vietnamese Lament"(Iijima), a song adapted from a poem by Ho Chi Minh (Iijima), "Someone Like You"(?), an untitled love song (Chin) and "It's Going to be a Beautiful Day"(Chin).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72176
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Title
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The Jugband: An Examination
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Description
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This item consists of an audio recording of The Original Sloth Band (Chris Whiteley, Ken Whiteley, Tom Evans) contextualizing the history of jugbands. Performances include a song "Travelin' Shoes?" by (Noah Lewis), "Where'd You Stay Last Night" (?) "The Sheik of Araby" (Harry B. Smith, Francis Wheeler, Ted Snyder), "It's Tight Like That" (Tampa Red), "I Can't Give You Anything but Love, Baby" (Jimmy McHugh (music), Dorothy Fields (lyrics)) "The Organ Grinder" (Clarence Williams), "Prison Wall Blues" (traditional), "Downtown Blues" (Frank Stokes), "Shout Baby Shout" (?) , "Mama Don't You Give All That Lard Away (Dixieland Jug Blowers) and "She Loves So Good" (Frankie 'Half-Pint' Jaxon).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72175
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Title
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The Big Songs
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Description
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Item consists of audio recording of Enoch Kent hosting a workshop formed around the idea of big songs, referring to longstanding ballad or story traditions within songs and beginning with Kent performing "Willie's Rare" (trad.), Margaret McArthur performing a ballad entitled "The Fair Maid by the Shore" (trad.), Margaret Bennett Knight discussing the genre of Ceòl Mòr (Gaelic for "Big Music") and performing an example song. The recording is interrupted from 17:05 to 17:24 by a high-pitched frequency. The workshop concludes with Buell Kazee performing "The Wexford Girl" (trad.) and Michael Cooney performing "O, I Forbid You Maidens All" (Sir Walter Scott). Also consists of Enoch Kent performing "The Sheffield Apprentice", Margaret Bennett Knight performing "Great Falls (?)" and "My Fair Young Love" (trad.), Buell Kazee performing "The Lady Gay" (aka "Three Little Babes" or "The Wife of Usher's Well") (trad.), Michael Cooney performing "Four Nights Drunk" (trad.) and discussing the renaming of folk songs over time and performing "Our Good Man" (trad.), Enoch Kent performing "?" and Margaret McArthur performing "Mr. John Bunt" (trad.).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72167
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Title
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Hoop Dancers
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Description
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Item consists of audio recording of a a concert with The Saddleback Family performing traditional "welcome" song followed by "The Warm Up of the Grass Dance" aka "The War Dance", "The Cree Chicken Dance", "The Red Light Dance" aka "The Stop Dance", "The Shawl(?) Dance", "The Eagle Dance" performed by George Saddleback, and Jerry Saddleback demonstrating the "Hoop Dance".
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72166
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Title
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Classic Ragtime to Early Jazz with Ken Whiteley
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Description
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Item consists of audio recording Ken Whiteley hosting a workshop about ragtime and early jazz music beginning with John Arpin performing "The Mississippi Rag" (William H. Krell), Larry Johnson performing "How Long has that Evening Train Been Gone?" aka "The How-Long Blues" (Leroy Carr and Scrapper Blackwell), Sam Chatmon performing "Hold it on the Bottom(?)" and "Dinah" (Harry Akst), Kate McGarrigle (joined by Anna McGarrigle) performing "Oh Papa, Blues" (Ma Rainey), followed by the whole group performing a jazz piece with the audience providing the percussion. Also consists of Original Sloth Band performing "Papa De-Da-Da" (Clarence Williams), Steve Goodman performing "Lady Be Good" (George and Ira Gershwin), Ken Bloom performing "Nagasaki" (Freddy Taylor) in a similar style to the version by Django Reinhardt, John Arpin performing "Handful of Keys" (Fats Waller), Larry Johnson? performing "Charley Stone", Sam Chatmon performing "Fishin' Blues" (Henry Thomas) and "Goin' 'round the Mountain" (parody of "She'll Be Comin' 'Round the Mountain"), Kate McGarrigle performing "Rockin' Chair" (Hoagy Carmichael), an unknown performer singing "A Ballad for Red Allen" and The Original Sloth Band performing "(Listen to the) Rhythm King" (Coon Sanders Nighthawks Orchestra) and "Right or Wrong" (Bob Wills and Tommy Duncan), a solo clarinet performance followed by a question and answer period with John Arpin explaining the difference between rag time and honky tonk piano. Also includes the entire group performing "Just a Closer Walk with Thee" (trad.) and "Ain't She Sweet?" (Milton Ager (music) and Jack Yellen (lyrics).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72164
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Title
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Acadian Music
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Description
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Consists of audio recording of a concert of Acadian music performed by Edith Butler and Donat Lacroix. Recording begins with a brief history of Acadians by Edith Butler followed by her performance of "Il me n'a voit a l'ecole(?)" and "Le Dix D'Avril". Each song begins with a story about the song to be performed by either Butler or Lacroix and leads into the music. The songs are duets with interchanging vocals. Donat Lacroix performs "Le p'tit bateau," "Derriere chez-nous y'a un joli bocage" or "Derriere chez-nous y'a un champ de pois." Together Lacroix and Butler perform "Le mal de dents" followed by Butler performing "Le p'tit boeuf" (a song about an old maid who is angry that she can not find a husband). Butler then sings "Au chant de l'allouette" and an untitled song. Lacroix sings "Un si gros cure," a humorous song about a parish priest and describes a bawdy wordplay with the French "Cure", followed by (30:53- as if the recording jumps forward might be farther ahead into the song- sung by Lacroix). "Le p'tit mari" which he explains is a song sung in both French and English. Lacroix then sings "La drole de vieille," about a ninety year old woman, with Butler adding vocal accompaniment followed by Butler performing "C'est une chanson d'amour" sung in Chicac. Recording ends at 42:02.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72163
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Title
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Mariposa in the Schools
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Description
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Consists of audio recording of Rich Avery hosting the Mariposa in the Schools (MITS) workshop, (a program teaching children about folk music) beginning by performing "The Village Pump" with children in the audience singing along. Next Chris Whiteley recites a story (accompanied by harmonica) about a fox being chased by hounds, an Lois Lilienstein performs "Aiken Drum" (trad.) with children participating, followed by Chris Whiteley explaining to the children how to play a jug and then performing "The Barnyard Dance" (Martin, Bogan and the Armstrongs) and "Take Your Fingers Off It" (trad.) with children playing makeshift instruments. Also consists of Rich Avery teaching the children to sing "Mary Mac" (trad.) and Lois Lilienstein performing "We're Going to the Zoo" (Tom Paxton) and teaching the children about syncopation, as well as Rich Avery performing an "echo song" with the children called "Green Grass Grew All Around" (William Jerome (lyrics), Harry Von Tilzer (music)) and Lois Lilienstein teaching the children to sing/play "Head and Shoulders, Baby" (?), and ending with Rich Avery and Lois Lilienstein together with the children performing "George Washington Bridge".
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72161
