- 48000.0 (x)
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Title
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Concert: Charlie Chin
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Description
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Consists of audio recording of Charlie Chin performing an adaptation of "I've been Working on the Railroad" (trad.) followed by his telling a fable about a man who tries to move a mountain and then performing a song based on the fable (Chris Iijima). He also performs "The War of the Flea"(Iijima), "Vietnamese Lament"(Iijima), a song adapted from a poem by Ho Chi Minh (Iijima), "Someone Like You"(?), an untitled love song (Chin) and "It's Going to be a Beautiful Day"(Chin).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72176
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Title
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Hoop Dancers
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Description
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Item consists of audio recording of a a concert with The Saddleback Family performing traditional "welcome" song followed by "The Warm Up of the Grass Dance" aka "The War Dance", "The Cree Chicken Dance", "The Red Light Dance" aka "The Stop Dance", "The Shawl(?) Dance", "The Eagle Dance" performed by George Saddleback, and Jerry Saddleback demonstrating the "Hoop Dance".
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72166
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Title
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Classic Ragtime to Early Jazz with Ken Whiteley
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Description
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Item consists of audio recording Ken Whiteley hosting a workshop about ragtime and early jazz music beginning with John Arpin performing "The Mississippi Rag" (William H. Krell), Larry Johnson performing "How Long has that Evening Train Been Gone?" aka "The How-Long Blues" (Leroy Carr and Scrapper Blackwell), Sam Chatmon performing "Hold it on the Bottom(?)" and "Dinah" (Harry Akst), Kate McGarrigle (joined by Anna McGarrigle) performing "Oh Papa, Blues" (Ma Rainey), followed by the whole group performing a jazz piece with the audience providing the percussion. Also consists of Original Sloth Band performing "Papa De-Da-Da" (Clarence Williams), Steve Goodman performing "Lady Be Good" (George and Ira Gershwin), Ken Bloom performing "Nagasaki" (Freddy Taylor) in a similar style to the version by Django Reinhardt, John Arpin performing "Handful of Keys" (Fats Waller), Larry Johnson? performing "Charley Stone", Sam Chatmon performing "Fishin' Blues" (Henry Thomas) and "Goin' 'round the Mountain" (parody of "She'll Be Comin' 'Round the Mountain"), Kate McGarrigle performing "Rockin' Chair" (Hoagy Carmichael), an unknown performer singing "A Ballad for Red Allen" and The Original Sloth Band performing "(Listen to the) Rhythm King" (Coon Sanders Nighthawks Orchestra) and "Right or Wrong" (Bob Wills and Tommy Duncan), a solo clarinet performance followed by a question and answer period with John Arpin explaining the difference between rag time and honky tonk piano. Also includes the entire group performing "Just a Closer Walk with Thee" (trad.) and "Ain't She Sweet?" (Milton Ager (music) and Jack Yellen (lyrics).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72164
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Title
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Acadian Music
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Description
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Consists of audio recording of a concert of Acadian music performed by Edith Butler and Donat Lacroix. Recording begins with a brief history of Acadians by Edith Butler followed by her performance of "Il me n'a voit a l'ecole(?)" and "Le Dix D'Avril". Each song begins with a story about the song to be performed by either Butler or Lacroix and leads into the music. The songs are duets with interchanging vocals. Donat Lacroix performs "Le p'tit bateau," "Derriere chez-nous y'a un joli bocage" or "Derriere chez-nous y'a un champ de pois." Together Lacroix and Butler perform "Le mal de dents" followed by Butler performing "Le p'tit boeuf" (a song about an old maid who is angry that she can not find a husband). Butler then sings "Au chant de l'allouette" and an untitled song. Lacroix sings "Un si gros cure," a humorous song about a parish priest and describes a bawdy wordplay with the French "Cure", followed by (30:53- as if the recording jumps forward might be farther ahead into the song- sung by Lacroix). "Le p'tit mari" which he explains is a song sung in both French and English. Lacroix then sings "La drole de vieille," about a ninety year old woman, with Butler adding vocal accompaniment followed by Butler performing "C'est une chanson d'amour" sung in Chicac. Recording ends at 42:02.
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:72163
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Title
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Folk Concert : Chris Rawlings
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Description
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Item consists of a concert featuring Chris Rawlings and Gilles Losier performing "Soup du Jour", "Butterfly Children", a song about Henry Hudson, Losier performing a traditional canoeing song (with Rawlings on the recorder), Rawlings performing "Golden Rocket" (Hank Snow), "The Log Driver's Waltz" (Wade Hemsworth) (with accompaniment from Losier), "Chibougamau Boogaloo" and "The Pearl River Turnaround".
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:61271
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Title
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Workshop : Slide Guitar with John Hammond and Dave Essig
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Description
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Consists of audio recording of slide guitar workshop with John Hammond and Dave Essig performing "Midnight Lover" (?) and "Hand Me Down My Walking Cane" (trad.). They also answer questions from the audience and then Essig sings "Ain't it Grand to be a Christian" (Blind Willie McTell) and Hammond then performs "I Can't Be Satisfied" (Muddy Waters). Also consists of Essig performing "Cannonball Blues" (Leslie Riddle), Hammond performing "T'aint Long Fore Day", aka "Big Star Falling" (Blind Willie McTell), Essig performing "Mean Old World" (trad.), Hammond performing "Terrapan Blues" followed by a period of taking questions from the audience. Essig resumes by performing "Come on in my kitchen" (Robert Johnson), followed by Hammond performing "Blues walked in" (?), Essig performing a combination of "Jailbait" and "Jubilee" and Hammond concluding with "Hellhound on my trail" (Robert Johnson).
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Type
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1/4" reel audio tape
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Fonds
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Mariposa Folk Foundation fonds (F0511)
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Identifier (PID)
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yul:61264
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Title
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Soundscape for Transitions in Progress Gallery Installation
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Description
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The audio file inserted at the beginning of this essay is part of the soundscape of a gallery installation, which was showcased at Ryerson University in Toronto in October 2015 as part of Transitions in Progress, the art project discussed in this paper. It stands, epigraphically, as an engineered acoustic reminder of the diffracted languaging experience through which the project itself took shape, and, more generally, of the entangled dynamics through which urban ecologies of linguistic diversification take hold. Feel free to leave the audio file in the background while you read, as this option may facilitate a synesthetic and immersive apprehension of the question this paper explores. Namely, what kind of productive openings may happen to our received ideas of language and space when we approach these concepts as unfolding diffractive processes that require attunement to their own patterns of affective resonance of interference, rather than as bounded systems that can be known only when framed by procedures of categorical parsing?
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Type
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WAV
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Date
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2015
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Identifier
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https://tusaaji.journals.yorku.ca/index.php/tusaaji/article/view/40335
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Identifier (PID)
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yul:1125351
