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Title
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Ozaki family videos : Fun in the Sun
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Description
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Item consists of a Japanese-Canadian family's home movie filmed in the 1960s. Donor(s) and project contributed description follows: "In the summer of ’65, Naomi and Akemi run around a sprinkler and play in a wading pool in their backyard. Three year old Naomi, in the red bathing suit, two year old Akemi in the blue bathing suit and their four month old brother, Steven are recorded by their father Doug on the sunny Vancouver summer afternoon."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-047/001(02)
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Date
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1965
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Identifier
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2019-047/001(02)
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Identifier (PID)
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yul:1153189
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Title
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Ozaki family videos : Birthdays
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Description
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Item consists of a Japanese-Canadian family's home movies filmed in the 1960s. Donor(s) and project contributed description follows: "These clips feature birthdays for two of the Ozaki children in 1966. Steven Ozaki is celebrating his first birthday indoors with extended family in April. Naomi Ozaki is celebrating her fourth birthday in May with neighbourhood children inside the family home and in the family's backyard in Vancouver."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-047/001(01)
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Date
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1996
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Identifier
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2019-047/001(01)
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Identifier (PID)
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yul:1153206
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Title
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Ozaki family videos : Winter 1968
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Description
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Item consists of a Japanese-Canadian family's home movies filmed in the 1960s. Donor(s) and project contributed description follows: "These clips feature Christmas and playing in the snow. Naomi, Akemi and Steven open gifts on Christmas morning. Later, extended family gather to enjoy Christmas dinner. The footage ends on a winter afternoon with Naomi, Akemi and Steven playing in the snow."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-047/001(04)
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Date
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1968
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Identifier
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2019-047/001(04)
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Identifier (PID)
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yul:1153201
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Title
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Ozaki family videos : Canada Day Centennial Parade and Party
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Description
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Item consists of a Japanese-Canadian family's home movies filmed in the 1960s. Donor(s) and project contributed description follows: "Neighbourhood children parade down a residential street in Vancouver celebrating Canada’s centennial in 1967. Amongst children dressed in outfits celebrating Canada or their country of origin, Naomi is dressed as a pioneer homesteader, Akemi is wearing a kimono and Steven is dressed as John A. Macdonald. The parade and after party were organized by their father, Doug and another neighbourhood parent."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-047/001(03)
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Date
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1967
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Identifier
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2019-047/001(03)
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Identifier (PID)
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yul:1153204
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Title
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Truong/Tram family videos : Muny : baby shower : Ngày Đầy Tháng
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Description
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A video clip recording from 1992 consisting of a Khmer-Krom family celebrating a birthday. Project and donor(s) contributed description follows: "The Truong/Tram family’s home movie footage shot in VHS format on January 25th 1992, captures the 1-month old birthday party of their youngest son in Brantford, ON, shortly after moving from Hull, Quebec. A full and lively gathering, their celebration includes families chatting over a community meal, speeches, gift giving, dancing to 80’s music, and loving footage of a peaceful baby enjoying the party. The Truongs/Trams are of Khmer-Krom ethnicity, translating to 'Khmer of the South'. The Khmer-Krom are an [unrecognised] Indigenous group and ethnic minority in the South of Vietnam. Many Khmer people who inhabited the same refugee camps in Vietnam later immigrated together to Canada. When the Truongs/Trams arrived in Hull, Quebec (now Gatineau, Quebec) in 1989, they were able to regularly connect with a Khmer community at gatherings like these. The Troung/Tram family have since relocated to Toronto ON where they continue to celebrate and take pride in their identity, and attend Khmer language and dance classes. The Khmer Buddhist Temple of Ontario in Hamilton remains central to them and their community. Mother, Trinh Nha Truong, was happy to share her footage with Home Made Visible because she wants to show other Canadians that ‘our people live in Canada too.’"
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Type
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VHS
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Accession / Box
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2018-018 / 001
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Date
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25 January 1992
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Identifier
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2018-020 / 001 (01)
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Identifier (PID)
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yul:1148420
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Title
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Wong family videos : family reunion 70
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Description
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Project and donor contributed description follows:"A clip documenting the Red Packet (hóngbāo) ceremony taking place at Mr Wong’s 70th birthday celebration in 2002. During this ceremony family members were called up in a particular order to accept a red envelope of money from Mr Wong. Deanna Wong, Mr. Wong’s daughter who found and digitized this video, recalls that family members were called up according to age and lineage. For example, Mr. Wong’s siblings would be called first, followed by their children and grandchildren. In this video Mr Wong's eldest son, Terry was called first, and then, since their middle son Ted was not present, Deanna, the youngest of the three, came next. Following her came Terry's kids from eldest to youngest. And since Deanna nor Ted had children at the time, the eldest cousin and his wife, and their kids etc followed. As the eldest of 13 siblings, Mr. Wong would have had many envelopes to hand out! Originally from Hong Kong, Mr. Wong came to Canada to study engineering at McGill University in the mid-1950s, where he met Deanna's mother. Mrs. Wong's father, Deanna maternal grandfather, immigrated to Canada in 1921 and paid the $500 head tax in order to enter the country. Mr Wong's father, Deanna’s paternal grandfather, was a doctor specializing in acupuncture, which was illegal in Canada at the time, so he settled in California. Now his family lives around the world, including the United States, Singapore, Japan and in various places in Canada. This milestone birthday presented a great opportunity for a family reunion. And to accommodate everyone, this celebration took place in the home of Deanna’s eldest brother and Mr. Wong’s eldest son, Terry. Now a longtime resident of Toronto, Deanna calls Winnipeg home where she and her two brothers grew up. Although they were one of the few families of colour around, she remembers her neighbourhood and her experiences fondly. Her parents, particularly her mother, worked hard to build a Chinese community where the children could have Chinese friends and be exposed to their culture. They started a Mandarin school, even though Cantonese was their mother tongue, and began a summer camp. Family and community come together again at this celebration, one of many for the Wong family."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-040/001(01)
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Date
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2002
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Identifier
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2019-040/001(01)
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Identifier (PID)
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yul:1152082
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Title
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Isaac family videos : Sacré-Cœur Christmas concert
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Description
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Item consists of footage of speeches, performances such as children singing, and audience members at a francophone Catholic school's Christmas recital. Project and donor contributed description follows: "Stella Isaac’s sister films her at her elementary school, École élémentaire catholique du Sacré-Coeur during their annual Christmas concert in 2004 at la Paroisse du Sacré Coeur located at Sherbourne and College. The footage captures a particular experience and community of mostly Black students of Congolese, descent attending the French school, which was located at Sherbourne and Bloor. Now located near Christie Pits, the community and neighborhood is no longer remembered in the same way. On stage during the concert the school’s principal mentions the students’ practice of prayer exemplifying the experience of religiosity at the school. Education at Sacré-Coeur is rooted in Catholicism and Christianity. Stella recalls a time when students in the class would put their Bibles and crosses on their tables before tests for an extra blessing. This was normal practice. Stella enjoyed attending a Catholic School and has fond memories of the experience, especially when receiving mentorship from particular teachers who pushed their students to prepare for success in their futures. ""I have a slight obsession with this time period and this school, especially as it relates to what it was like educating Black students. It was in an environment where I had a teacher that completely pushed us and believed in us and our intelligence. The footage also documents images of Stella’s younger brother, Jordan, who has Down Syndrome. She describes him lovingly: "It was nice seeing my little brother making tons of noise and yelling my sister’s name, rubbing my mom’s face." In relation to Home Made Visible, Stella shares: "It’s great to allow families the opportunity to revisit old footage, explore their history and share that. A lot of people don't think of Black people in Canada just existing. It’s a great way to change the Canadian narrative."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-030 / 001 (01)
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Date
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2004
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Identifier
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2019-030 / 001 (01)
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Identifier (PID)
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yul:1152025
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Title
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Jabbar family videos : America/Canada Visit Sep 89 Family Video : part 4 of 4
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Description
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Project and donor contributed description follows: "Sometime between 1987 and 1988, its summertime and the Jabbar family welcomes uncles and aunts and cousins over for a visit to Canada, staying at their apartment in Scarborough ON. Family was always welcome at the Jabbar household and they are happy and willing to stay for weeks at a time despite the small space. As their first visit to Canada, they take them to tourist sites. Pictured here are views of rides at the Canadian National Exhibition (CNE). S’s father, who is the eldest sibling of their generation, attracted a lot of family to visit because it is customary for people to always visit the eldest. Since S's father was the first of his siblings to come to Canada, everyone was excited to visit. It was also quite an accomplishment for a man with a physical disability to seek an independent life overseas for himself and his family so this was often admired. The footage shows how multigenerational the gatherings are, which included S's grandmother who had recently came to live with the family."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-032 / 001 (04)
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Date
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1989
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Identifier
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2019-032 / 001 (04)
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Identifier (PID)
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yul:1152055
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Title
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Lo family videos : backyard harvest
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Description
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Project and donor contributed description follows: "The year is 1981 and the Lo family are spending a summer afternoon picking vegetables and fruits from their backyard. One of the twins, Lorna helps their father harvest cabbage while the other twin, Vivien keeps Aylwin – the youngest and only a year old accompanied on a blanket. Featured through out the clip is the one outdoor activity that remained a family tradition over the year, picking apples from the beloved Crab Apple tree."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-037 / 001 (06)
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Date
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1981
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Identifier
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2019-037 / 001 (06)
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Identifier (PID)
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yul:1152032
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Title
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Lo family videos : twins giving a tour of the house
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Description
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Project and donor contributed description follows: "Lorna '… remembers filming that specific clip’—the video of the twins giving a home tour of their new home. The camera would routinely come out during gatherings, a feature in the background of their lives, but this was the one home movie Lorna remembers the most. She remembers seeing the house and thinking 'A room dedicated for toys, that was unheard of. I thought it was the greatest thing.' Moving into this home marked a new chapter in the Lo’s family history."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-037 / 001 (05)
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Date
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[between 1978-1982]
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Identifier
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2019-037 / 001 (05)
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Identifier (PID)
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yul:1152031
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Title
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Lo family videos : Christmas : part 4 of 4
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Description
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Item consists of a video recording that features children opening Christmas presents and performing a dance in a living room. Project and donor contributed description follows: "During this Christmas, the family have their cousin Sau Fong visiting. The children are waving excitedly to the camera as they open and show their gifts. Over the years, uncles and aunts would occasionally stay with the Lo family while studying English at the local college. Home movies were one of the ways they stayed connected to relatives in Macau and shared their life living in Canada. Copies were routinely made to send back."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-037 / 001 (04)
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Date
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[between 1978-1982]
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Identifier
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2019-037 / 001 (04)
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Identifier (PID)
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yul:1152030
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Title
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Lo family videos : Christmas : part 2 of 4
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Description
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Item consists of a video recording that features two children playing on a swing set in the winter. Project and donor contributed description follows: "Their extended family are visiting from Macau for their first Winter visit. For many of them it was the first time experiencing the Canadian cold. "I remember we were outside playing in the snow for a really long time… the adults were playing in it just as much as the kids", Lorna recalls. The children can be seen playing on the swing bundled up in coats and snow pants."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-037 / 001 (01)
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Date
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[between 1978-1982]
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Identifier
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2019-037 / 001 (01)
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Identifier (PID)
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yul:1152027
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Title
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Joudaki family videos : Iran vacation
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Description
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Item consists of footage of landscapes, cityscapes, and heritage sites in Iran. Project and donor contributed description follows: "Both Bita and her father, Abbas, contributed to this write up. Bita felt protective of her family and their image, and chose to contribute a clip that didn’t centre people but a place. The scenery itself is a beautiful valuable contribution of a country in flux. In 1998, Abbas visits Iran with his daughter Bita for the first time in sixteen years since moving to Canada. Bita at the time was a shy eight year-old and recalls that she didn’t speak for the first three weeks of the trip and that this was her first time leaving Canada. In this clip Abbas is alone behind the camera capturing historical sites. He was prompted to take this trip because an Iranian friend in Vancouver couldn’t go home and asked him to make these movies of Cyrus the Great, Isfahan, etc. and to bring them back to show on local Persian TV. He did end up making these movies on a miniDV camcorder but never did give them to his friend. The clip starts out at night time in Shiraz, with the Takht-e Lamshid built for Cyrus the Great. Then moves on to Isfahan, the "Great Mosque" that in farsi they call the Shah Mosque based in Naghsh-e Jahan Square. Abbas recalls at the time wondering how locals knew he hadn’t been living their for 16 years. People could tell that he had left and was living somewhere else. For Abbas, these clips show a country rich with stories and pride. After years of searching for these tapes, they found them again in the summer of 2018 the night before Bita returned to Iran for the second time in her life."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2019-029 / 001 (01)
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Date
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1998
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Identifier
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2019-029 / 001 (01)
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Identifier (PID)
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yul:1152026
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Title
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Valcin family videos : Montreal snow storm
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Description
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Video recording from 1971 consisting of a Haitian family and their neighbours shoveling snow and digging out the street. Recording also features children playing in the snow and a tractor plowing the street. Project and donor(s) contributed description follows: "On March 4th, 1971, Montreal saw the “Storm of the Century”, a massive snowstorm brought 43cm of snow and 100/km winds to the city. It would take 41 years for this snowfall record to be broken. People lost electricity for as long as ten days. Nadine recalls living on St. Leonard and not being able to see through her patio doors and that the only people who could get around were emergency vehicles and snowmobiles. Of course this major setback meant snow days for everyone, and Nadine’s parents and neighbours got to shoveling. In a predominantly Italian neighbourhood, Nadine suspects her family may have been the only Black family on this street. With no school, five-year old Nadine took pleasure in the Montreal pastime of building snow forts."
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Type
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video file
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Fonds
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Home Made Visible collection (F0723)
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Date
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1971
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Identifier
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2018-028 / 001 (02)
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Identifier (PID)
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yul:1149820
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-
Title
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Valcin family videos : NYC 1969
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Description
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Item consists of an a Haitian Canadian family’s home movie featuring the family in New York celebrating a birthday and Christmas. Video was filmed by André and Ginette Valcin. Project and donor(s) contributed description follows: "It's November 1969 in New York City and the Valcin Family is celebrating Nadine's dad's birthday. Four-year-old Nadine waves at the camera and helps blow out her father's candles. We see Nadine's mother cutting the cake. Later in the day, Nadine, drinking her juice from a cocktail glass, is engrossed in a serious conversation with her father. Her mom is behind the camera shooting on Super 8mm film. At Christmas, the camera is pulled once more, a very exciting time for Nadine who was an only child. This private but celebratory occasion is one the whole family dresses up for. Nadine dons an all-white pantsuit she later swaps for something more comfortable, while her parents sport equally stylish crisp suits. The clothes become secondary to the gift unraveling — the toy car, doll, keyboard, all slowly collecting around her. André Valcin passed in 1999, so the Valcin family was happy to revisit these memories of him."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2018-028 / 001
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Date
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1969
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Identifier
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2018-028 / 001 (01)
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Identifier (PID)
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yul:1149819
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-
Title
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Burke family videos : Christmas '92 : Singing
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Description
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A video clip recording representing a portion of the VHS cassette from 1992 consisting of a brother cooking breakfast on Christmas and a sister filming a tour of the house. Project and donor(s) contributed description follows: "It’s Christmas, 1992, and within the short span of this clip the presence of almost Leah Burke’s whole family is felt. From her dad offscreen singing along to gospel (Mahalia Jackson’s ‘Go Tell It On the Mountain), to her brother, the then sullen teenager, seen cooking pancakes for family breakfast, to finally Leah, who weaves through the house filming. She reveals herself as the documentarian in a mirror reflection waving ‘Hi’. In present day, Leah recalls, ‘This is a typical Burke house family moment’."
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Accession / Box
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2018-029/001(05)
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Date
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25 December 1992
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Identifier
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2018-029/001(05)
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Identifier (PID)
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yul:1150176
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-
Title
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Javeed family videos : I & A (ages 7 & 3) Feb 2003 video letter for India Grandma : part 1 of 3
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Description
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Project and donor contributed description follows: "In the Javeed family’s apartment in Scarborough ON, two boys aged between 3 and 7 create a video letter to their grandmother who resides overseas in India. Both boys are born and live in Canada. The children are reciting; reciting a shopping list, nursery rhymes like “itsy bitsy spider,” and their ABCs. The video letter of the boys learning to write and spell is a way to build and maintain a relationship with their grandmother from afar. The video documents shifts in communication technologies, at a time prior to the use of communication apps like whatsapp, used to keep in touch with family. Scarborough was quite diverse by the early 2000s, and the boys generally felt connected to their peers, although their mother remembers they had experienced racism and some issues at school. She attests that they grew up differently than she did as a first generation immigrant, wherein she felt like an outsider in Toronto in the early eighties. The family had a lot of discussions as they were growing up about these issues, and ensured the boys were familiar with current affairs.”
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Type
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video files
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Fonds
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Home Made Visible collection (F0723)
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Date
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9 Feb. 2003
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Identifier
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2019-034 / 001 (01)
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Identifier (PID)
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yul:1152049
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-
Title
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Art and Artists in Climate Justice
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Description
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As climate change continues to grow and impact our world, so does the response from activists across the world. Climate justice activists take many forms and employ many strategies to effect change in policy of or public opinion on greenhouse gas emissions. Through York University's Academic Innovation Fund dedicated to creating open source, publicly available course content, we've created 6 video segments interviewing grassroots climate justice activists from Toronto, a city with many climate justice organizations and efforts. Here we interview Kenza Vandenbroeck (Instagram: @moon__beam) and Kendall Mar (Instagram: @kandykaym), two grassroots organizers whose art is an extension of their activism. We'll talk about the different ways art can influence our world, how to make effective art for social change, and what it's like to be an artist in a world of environmental challenges. You can watch the live-recorded Zoom video interviews or read the transcripts recorded in Summer 2020.
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Type
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video file
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Date
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27 October 2020
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Identifier
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https://doi.org/10.6084/m9.figshare.13146746.v2
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Identifier (PID)
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yul:1153670
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Title
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Youth Perspectives on Climate Justice
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Description
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As climate change continues to grow and impact our world, so does the response from activists across the world. Climate justice activists take many forms and employ many strategies to effect change in policy of or public opinion on greenhouse gas emissions. Through York University's Academic Innovation Fund dedicated to creating open source, publicly available course content, we've created 6 video segments interviewing grassroots climate justice activists from Toronto, a city with many climate justice organizations and efforts. Here we interview youth organizers and students Allie Rougeot (Instagram: @alienor.r) and Savi Gellatly-Ladd (Instagram: @yellowpeach.es). We'll discuss what youth activism is, what it's like to be a young person in the age of climate change, and how to get involved in climate justice where you are. You can watch the live-recorded Zoom video interviews or read the transcripts recorded in Summer 2020.
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Type
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video file
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Date
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27 October 2020
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Identifier
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https://doi.org/10.6084/m9.figshare.13146740.v1
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Identifier (PID)
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yul:1153669
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-
Title
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Digital Activism and Climate Justice
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Description
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As climate change continues to grow and impact our world, so does the response from activists across the world. Climate justice activists take many forms and employ many strategies to effect change in policy of or public opinion on greenhouse gas emissions. Through York University's Academic Innovation Fund dedicated to creating open source, publicly available course content, we've created 6 video segments interviewing grassroots climate justice activists from Toronto, a city with many climate justice organizations and efforts. Here we interview digital educators Lindura Sappong and Toni Sappong, two sisters who run the environmental justice Instagram blog @PlasticFreeTO. We'll discuss what it's like to be a digital activist, the efficacy of social media as a tool for social change, and the pitfalls of living virtually. You can watch the live-recorded video interviews or read the transcripts recorded in Summer 2020.
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Type
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video file
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Date
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27 October 2020
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Identifier
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http://hdl.handle.net/10315/38023
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Identifier (PID)
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yul:1153664
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-
Title
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Indigenous Perspectives on Climate Justice
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Description
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As climate change continues to grow and impact our world, so does the response from activists across the world. Climate justice activists take many forms and employ many strategies to effect change in policy of or public opinion on greenhouse gas emissions. Through York University's Academic Innovation Fund dedicated to creating open source, publicly available course content, we've created 6 video segments interviewing grassroots climate justice activists from Toronto, a city with many climate justice organizations and efforts. Here we interview land defenders and organizers Cricket Guest (Instagram: @cricket.guest) and Sam Wong (Instagram: @luvthemutt). We'll discuss the importance of recognizing colonial violence, traditional knowledge, land stewardship, and Indigenous leadership for effective climate justice and action. You can watch the live-recorded Zoom video interviews or read the transcripts recorded in Summer 2020.
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Type
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video file
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Date
-
2 November 2020
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Identifier
-
https://doi.org/10.6084/m9.figshare.13146716.v2
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Identifier (PID)
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yul:1153665
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-
Title
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An Introduction to Climate Justice Activism in Toronto
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Description
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As climate change continues to grow and impact our world, so does the response from activists across the world. Climate justice activists take many forms and employ many strategies to effect change in policy of or public opinion on greenhouse gas emissions. Through York University's Academic Innovation Fund dedicated to creating open source, publicly available course content, we've created 6 video segments interviewing grassroots climate justice activists from Toronto, a city with many climate justice organizations and efforts. Here we meet Christopher Lortie, an ecologist and professor at York University, and Malory Owen, an ecologist and climate justice activist who will be facilitating the future conversations in this series.
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Type
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video file
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Date
-
18 November 2020
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Identifier
-
https://doi.org/10.6084/m9.figshare.13256162.v2
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Identifier (PID)
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yul:1153673
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-
Title
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The Feminist Porn Archive Project: Questions from a Working Ontologist
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Description
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Feminists have long been concerned by archival silences and their impact on memory. Most reclamation work has been about uncovering the buried or lost records of women and inserting interpretations of such material inside broad social, political, cultural and historical narratives. Archivists and librarians also create new and sometimes exciting juxtapositions of archival material that allows for radical recontextualizations of womens’ cultural and political contributions. Archival work at every stage is thus a process of transforming private documents into public testimonial. However, in the creation of women’s archives inside institutional archives using traditional archival principles, we replicate neoliberal ideological formations by emphasizing the individual subject and focusing on the records of primarily white straight women of privilege. How might we instead use the new archival media of the Internet to explore feminist theoretical emphases on collectivity, intersubjectivity, intersectionality, and the affective relations of care, desire and intimacy? How do we prevent subjectivity and meaning from being fixed into place but allow for more slippery and promiscuous plays of meaning in a public feminist archive? How might we reboot the archives of women through digitization, and also provoke feminist rethinkings of the technologies of archivization? Linked open data can be viewed as a deeply post-structuralist response to the nomological principle of authority and commandment of the traditional archive and offers us a generative, erotic commingling of information which resists fixity and hierarchy and focuses instead on relationality. In this paper I will speculate about how a feminist porn archive can, through linked data spatializations and their attendant onotologies, offer new ways of thinking about the archive and the archival-able.
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Type
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videorecording
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Identifier (PID)
-
yul:770322
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-
Title
-
Bleeding to Life
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Description
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An essay-performance, this media-archaeological examination celebrates the revolutionary potential of recognizing and engaging with our collective, gaping wounds. Taking Caravaggio’s The Incredulity of Saint Thomas as a point of departure, I construct a narrative that links the production of subjectivities in “post”-colonial contexts, with the technosexual networks of resistance and coded information exchange that grew out of the government-manufactured crack epidemic in oppressed neighborhoods throughout the late 70s/early 80s and today. Indebted to the writing of Donna Haraway, Jussi Parikka, Hortense Spillers, & Kanye West. Created specifically for the Dark Diction event on January 16, 2015 at JACK in NYC, organized by Social Health Performance Club. Tattoo work was done by Josh Kil, photos by Laura Blüer, and video by David Ian Griess, and are featured here with those collaborators’ permission.
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Type
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Moving image
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Date
-
Fall/Winter 2016
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Identifier
-
intensions8-iandeleon
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Identifier (PID)
-
yul:1156010
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-
Title
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Across the Unseen Sea, by Tereza Stehlíková
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Description
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Dinner for Deep Surface Divers uses food as a poetic medium, where eating is depicted as a highly sensual act, while exploring the role of the senses and embodiment in informing our vision. Across the Unseen Sea captures the essence of a multi-sensory banquet that I created and which took place in London, in 2013. I based the event on William Morris’s diary entries from his journey to Iceland, in 1871/73 and “translated” these into a multi-sensory immersive performance. The project was developed in collaboration with Charles Michel (cook and researcher at Charles Spence’s Crossmodal Research laboratory, Oxford), as well as a team of dedicated collaborators from various backgrounds and with different professional expertise (set, sound, scent designers, actors, food historians etc.). The film was created with the intention of communicating the subjective, multi-sensory experience of one of the guests, a writer, by audio-visual.
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Type
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Moving image
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Date
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Spring 2018
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Identifier
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intensions9-terezastehlikova1
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Identifier (PID)
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yul:1156004
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Title
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Dinner for Deep Surface Divers, by Tereza Stehlíková
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Description
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Dinner for Deep Surface Divers uses food as a poetic medium, where eating is depicted as a highly sensual act, while exploring the role of the senses and embodiment in informing our vision. Across the Unseen Sea captures the essence of a multi-sensory banquet that I created and which took place in London, in 2013. I based the event on William Morris’s diary entries from his journey to Iceland, in 1871/73 and “translated” these into a multi-sensory immersive performance. The project was developed in collaboration with Charles Michel (cook and researcher at Charles Spence’s Crossmodal Research laboratory, Oxford), as well as a team of dedicated collaborators from various backgrounds and with different professional expertise (set, sound, scent designers, actors, food historians etc.). The film was created with the intention of communicating the subjective, multi-sensory experience of one of the guests, a writer, by audio-visual.
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Type
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Moving image
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Date
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Spring 2018
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Identifier
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intensions9-terezastehlikova2
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Identifier (PID)
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yul:1156005
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Title
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Desierto (Desert), by Regina José Galindo
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Description
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Desierto, a performance piece, took place July 7th, 2015 in the Gallery Gabriela Mistral in Santiago de Chile. Desierto, Desert, was created for the Chilean context: it speaks of forms of oppression, abuse, racism and colonialism that hide behind the successful industry of pine that has invaded the Mapuche indigenous territory in that country, generating increased damage to the ecosystem. The work is not only about one site, however. In the artist’s words, "[t]he problem of land and indigenous peoples that have been violated and pillaged by wealthy families and the State is not a stranger to Guatemala context…during the war in my country, the scorched-earth strategy was a constant. Thousands of indigenous Maya were kept in their communities, were murdered and their lands expropriated. Many of these lands passed into the hands of the State, oligarchs, or foreigners. Many of these lands are currently exploited through mining, hydroelectric industries or areas of monoculture. In Guatemala there are no pine-forests, but there is another way to annihilate the Earth. In Guatemala, the African Palm has caused havoc. Recently the factory Xerxes (that produces Palm oil Olmec brand) contaminated the rivers’ waters and thousands of fish and other species have died in an ecocide without precedent". Speaking to this violence, in this work, the artist remains naked, buried in the sand dunes of sawdust created inside the Gallery. Sawdust refers to waste resulting after the over exploitation of the land and the ongoing desertification of large tracts of land, both in Guatemala with the cultivation of African Palm, as in Chile with the large scale cultivation of pine and eucalyptus. The desert is no longer the North but the South. Commissioned and produced for the Gabriela Mistral Gallery, Santiago de Chile Curated by Soledad Novoa Donoso Photos by Rodrigo Maulen Video by Andrés Lima, Sebastián Pando
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Type
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Moving image
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Date
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Fall/Winter 2016
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Identifier
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intensions8-reginajosegalindo
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Identifier (PID)
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yul:1156003